Dance heritage PhD literature references cited and research resources

Last Updated on March 9, 2023

Highlights

Lo Iacono, V. and Brown, D. H. K. (2016) ‘Beyond Binarism: Exploring a Model of Living Cultural Heritage for Dance’, The Journal of the Society for Dance Research, 34(1), pp. 84– 105. doi: 10.3366/drs.2016.0147.

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Adra, N. (2005) ‘Belly Dance: An Urban Folk Genre’, in Shay, A. and Sellers-Young, B. (eds) Belly Dance: Orientalism, Transnationalism, And Harem Fantasy. Costa Mesa, California: Mazda Publishers Inc. (Bibliotheca Iranica. Performing Arts Series., 6), pp. 28–50.

Adshead, J. (ed.) (1988) Dance analysis: theory and practice. London: Dance Books.

Adum, P. (2010) Magdy el Galad Interviews Nagwa Fouad, Shira.net. Available at: http://www.shira.net/about/interview-nagwa-fouad.htm (Accessed: 21 March 2016).

Adum, P. (2011a) Dina’s Interview with French Channel 3 in January 2011, Shira.net. Available at: http://www.shira.net/about/interview-dina-2011-01.htm (Accessed: 3 April 2016).

Adum, P. (2011b) Fifi Abdo Jealous of the Beauty of Lebanese Women, Shira.net. Available at: http://www.shira.net/about/fifi-abdo-jealous.htm (Accessed: 31 March 2016).

Adum, P. (no date) Badia Masabni in 1966 Television Interview, Shira.net. Available at: http://www.shira.net/about/badia-interview-1966.htm (Accessed: 22 February 2016).

Ahlan wa Salan Festival (no date) Ahlan wa Salan Festival Teachers list, Ahlan wa Salan Festival. Available at: http://www.raqiahassan.net/#!teachers/galleryPage (Accessed: 2 July 2016).

Ahmad, Y. (2006) ‘The Scope and Definitions of Heritage: From Tangible to Intangible’, International Journal of Heritage Studies, 12(3), pp. 292–300. doi: 10.1080/13527250600604639.

Al Rakesa (2014) Dina – Al Rakesa. Available at: https://www.youtube.com/watch?v=ck9t9nJJkUo (Accessed: 2 April 2016).

Al Sherbini, R. (2015) Egypt bellydancer outrage cuts party short, GulfNews. Available at: http://gulfnews.com/news/mena/egypt/egypt-bellydancer-outrage-cuts-party-short1.1489206 (Accessed: 3 April 2016).

Aleya Cairo Bellydance (2013) Camelia of Cairo at Nile Maxim Boat Cairo, Egypt song: Ama ra7 el sabr. Cairo. Available at: https://www.youtube.com/watch?v=j5_nMn8Z3tI (Accessed: 11 April 2016).

Al-Youm, A.-M. (2017) Controversy sparks over using ‘Shakira’ belly dance belt for promoting Egypt’s tourism, Egypt Independent. Available at: https://www.egyptindependent.com/controversy-sparks-over-usage-of-shakira-bellydance-belt-for-promoting-egypts-tourism/ (Accessed: 10 October 2018).

Amaya (2003) Amaya writes about Dina’s seminar in Texas for the Gilded Serpent, Gilded Serpent. Available at: http://www.gildedserpent.com/articles23/amayadina.htm (Accessed: 3 April 2016).

Amselle, J.-L. (2002) ‘Globalization and the future of anthropology’, African Affairs, 101, pp. 213–229.

Anthony, G. and McClure, M. (1995) Summer of Love: Haight-Ashbury at its Highest. Reprint edition. San Francisco, Calif.: Last Gasp.

Appadurai, A. (1996) Modernity at Large: Cultural Dimensions in Globalization. 1st Edition edition. Minneapolis, Minn: University of Minnesota Press.

Appiah, K. A. (2007) Cosmopolitanism: Ethics in a World of Strangers. New York: Penguin.

ArabClassicFilms (2011a) Nagwa Fouad-1957. Available at: https://www.youtube.com/watch?v=Kp1tm-Yr2cY (Accessed: 22 March 2016).

ArabClassicFilms (2011b) Nagwa Fouad-1976. Available at: https://www.youtube.com/watch?v=-SqncM88RuA (Accessed: 22 March 2016).

ArabClassicFilms (2011c) Soheir Zaki-1972. Available at: https://www.youtube.com/watch?v=qQ5JIPraTK8 (Accessed: 13 December 2016).

ArabClassicFilms (2012) Nahed Sabri-1963. Available at: https://www.youtube.com/watch?v=su6Y77w76NQ (Accessed: 21 March 2016).

ArabClassicFilms (2013) Nahed Sabri-1962. Available at: https://www.youtube.com/watch?v=UliSlrW934c (Accessed: 21 March 2016).

Artemis (no date) Naima Akef, Serpentine. Available at: http://www.serpentine.org/yasmin/NaimaAkef.html (Accessed: 19 March 2016).

Ashworth, G. (2011) ‘Preservation, Conservation and Heritage: Approaches to the Past in the Present through the Built Environment’, Asian Anthropology, 10(1), pp. 1–18. doi: 10.1080/1683478x.2011.10552601.

Asmahan (2012a) The Golden Era of the Arabic Nightclubs in London – Part 1: Making the Move from San Francisco to London, Gilded Serpent. Available at: http://www.gildedserpent.com/cms/2012/01/15/asmahan-arabic-nightclubs-londonpart1/#axzz4CK7gtegE (Accessed: 22 June 2016).

Asmahan (2012b) The Golden Era of the Arabic Nightclubs in London – Part 2: A New Era, Gilded Serpent. Available at: http://www.gildedserpent.com/cms/2012/03/09/asmahangolden-era-arab-nightclubs-london-p2/#axzz4CK7gtegE (Accessed: 22 June 2016).

Attride-Stirling, J. (2001) ‘Thematic networks: an analytic tool for qualitative research’, Qualitative Research, 1(3), pp. 385–405. doi: 10.1177/146879410100100307.

Avihass (2014) Mona El Said & Asi Haskal Greece 2014. Available at: https://www.youtube.com/watch?v=pLBhV1M5KCQ (Accessed: 19 December 2016).

Azzazy, N. (1999) Tahaya Carioca Story, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-17-no-4-dec-1999/tahaya-carioca-story/ (Accessed: 18 March 2016).

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baadrobot (2008a) Mona Said Asaya. Available at: https://www.youtube.com/watch?v=2LaxBM_Do_0 (Accessed: 29 March 2016).

baadrobot (2008b) Mona Said Drum Solo. Available at: https://www.youtube.com/watch?v=AX7-9iu12hg (Accessed: 29 March 2016).

Bacon, J. M. (2003) Unveiling the Dance. Arabic Dance in an Urban English Landscape. University of Surrey.

Baghirova, S. (2007) ‘Azerbaijani Mugham: Problems and Projects of Preservation’, in Azerbaijani Mugham. Baku: Azerbaijan National Academy of Sciences, pp. 201–204.

Bakardjieva, M. and Feenberg, A. (2000) ‘Involving the virtual subject’, Ethics and Information Technology, 2(4), pp. 233–240.

Baker, S. (2013) ‘Conceptualising the use of Facebook in ethnographic research: as tool, as data and as context’, Ethnography and Education, 8(2), pp. 131–145. doi: 10.1080/17457823.2013.792504.

Bakka, E. (2015) ‘Safeguarding of intangible cultural heritage – the spirit and the letter of the law’, in Soyland Moen, S. (ed.) Musikk og Tradisjon. Novus AS, pp. 135–169.

Baltar, F. and Brunet, I. (2012) ‘Social research 2.0: virtual snowball sampling method using Facebook’, Internet Research, 22(1), pp. 57–74. doi: 10.1108/10662241211199960.

Banfield, A. C. (1910) ‘The National Archive of the UK COPY 1/550/190’. Available at: http://discovery.nationalarchives.gov.uk/details/r/C14236117.

Barsalou, L. W. et al. (2003) ‘Social Embodiment’, in The Psychology of Learning and Motivation. Amsterdam, pp. 43–92.

Bauman, Z. (2006) Liquid Modernity. VII. Cambridge: Polity Press.

BBC News (2017) ‘Egypt profile – Timeline’, 9 April. Available at: http://www.bbc.co.uk/news/world-africa-13315719 (Accessed: 27 April 2017).

Beck, U. (2002) ‘The cosmopolitan society and its enemies’, Theory, culture & society, 19(1–2), pp. 17–44.

Belly Dance & Nice Dancers (2013) Dina – an egyption beautiful belly dancer. Available at: https://www.youtube.com/watch?v=EEFu2U9rNJo (Accessed: 2 April 2016).

Belly Dance Classics (no date) Taheya Karioka and Samia Gamal Interview (1974) with English Subtitles. Available at: https://www.youtube.com/watch?v=gHc6xxoennU (Accessed: 14 March 2016).

Belly Dance Museum (no date) Shafiqa Al-Qibtiyya – egyptian oriental dance and bellydance legends, Belly Dance Museum. Available at: http://belly-dance.org/shafiqa-alqibtiyya.html (Accessed: 19 November 2016).

Beltran, P. (2010) Entrevista con Randa Kamel, Vimeo. Available at: https://vimeo.com/10564939 (Accessed: 8 April 2016).

Beltran, P. (2014) Entrevista Tito Seif con Patricia Beltrán – Oriental Dance on line. Available at: https://www.youtube.com/watch?v=nt8B7jky864 (Accessed: 12 April 2016).

Bendix, R. (2009) In Search of Authenticity: The Formation of Folklore Studies. Kindle. Madison, Wis: University of Wisconsin Press.

Beneito-Montagut, R. (2011) ‘Ethnography goes online: towards a user-centred methodology to research interpersonal communication on the internet’, Qualitative Research, 11(6), pp. 716–735. doi: 10.1177/1468794111413368.

Berger, M. (1966) ‘Belly Dance’, Horizon, 7(2), pp. 42–49.

Bilgrami, A. (2002) ‘Realism and relativism’, Philosophical issues, 12(1), pp. 1–25.

Blacking, J. (1983) ‘Movement and Meaning: Dance in Social Anthropological Perspective’, The Journal of the Society for Dance Research, 1(1), pp. 89–99.

Blake, J. (2000) ‘On Defining the Cultural Heritage’, International & Comparative Law Quarterly, 49(01), pp. 61–85. doi: 10.1017/S002058930006396X.

Blumer, H. (1954) ‘What is Wrong with Social Theory?’, American Sociological Review, 19(1), p. 3. doi: 10.2307/2088165.

Bodo, S. (2012) ‘Museums as Intercultural Spaces’, in Sandell, R. and Nightingale, E. (eds) Museums, Equality and Social Justice (Museum Meanings). Routledge, pp. 181–191.

Bordelon, C. (2013) ‘Finding “the feeling”. Oriental dance, musiqa al-gadid, and tarab’, in McDonald, C., Sellers-Young, B., and Sellers-Young, B. (eds) Belly dance around the world: new communities, performance and identity. McFarland & Co Inc, pp. 33–47.

Bortolotto, C. (2013) ‘Authenticity: A Non-Criterion for Inscription on the Lists of UNESCO’s Intangible Cultural Heritage Convention’, in Evaluating the Inscription Criteria for the Two Lists of UNESCO’s Intangible Cultural Heritage Convention. 2013 IRCI Meeting on ICH, Tokyo, Japan: International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), pp. 73–79.

Bourdieu, P. (1977) Outline of a theory of practice. Translated by R. Nice. Cambridge: Cambridge University Press.

Bourdieu, P. (1984) Distinction: a social critique of the judgement of taste. Translated by R. Nice. London: Routledge.

Bourdieu, P. (1990) The logic of practice. Translated by R. Nice. Cambridge: Polity Press.

Bourdieu, P. (1996) ‘Understanding’, Theory, Culture & Society, 13(2), pp. 17–37. doi: 10.1177/026327696013002002.

Bourdieu, P. (2002) Masculine Domination. Translated by R. Nice. Stanford, Calif: Stanford University Press.

Bourdieu, P. (2005) ‘Habitus’, in Hillier, J. and Rooksby, E. (eds) Habitus: a sense of place. Aldershot: Ashgate, pp. 43–52.

Bourdieu, P. and Johnson, R. (1993) The field of cultural production: essays on art and literature. New York: Columbia University Press.

Bourdieu, P. and Wacquant, L. J. D. (1992) An Invitation to Reflexive Sociology. Cambridge: Polity Press.

Braunstein, P. (ed.) (2001) Imagine Nation: The American Counterculture of the 1960s & ’70s. New York: Routledge.

British Sociological Association (no date) Statement of Ethical Practice for the British Sociological Association (March 2002), BSA. Available at: https://www.britsoc.co.uk/media/23902/statementofethicalpractice.pdf (Accessed: 5 January 2017).

Brown, D. H. K. (2001) Living links and gender resources: the social construction of masculinities in teaching physical education. Thesis. Loughborough University. Available at: https://dspace.lboro.ac.uk/dspace-jspui/handle/2134/6801 (Accessed: 26 August 2016).

Brown, D. and Leledaki, A. (2010) ‘Eastern Movement Forms as Body-Self Transforming Cultural Practices in the West: Towards a Sociological Perspective’, Cultural Sociology, 4(1), pp. 123–154. doi: 10.1177/1749975509356866.

Brown, T. (2017) This Year’s Message Author, International Dance Day – International Theatre Institute ITI. Available at: https://www.international-danceday.org/messageauthor.html (Accessed: 6 May 2017).

Bruckman, A. (2002) ‘Studying the amateur artist: A perspective on disguising data collected in human subjects research on the Internet’, Ethics and Information Technology, 4(3), pp. 217–231.

Bryant, R. A. (2002) ‘Shaking Things Up: Popularizing the Shimmy in America’, American Music, 20(2), p. 168. doi: 10.2307/1350139.

Buchanan, E. A. and Zimmer, M. (2012) ‘Internet Research Ethics’, Stanford Encyclopedia of Philosophy. Available at: http://plato.stanford.edu/archives/win2012/entries/ethicsinternet-research/ (Accessed: 1 December 2015).

Buckland, T. (1999) ‘All Dances Are Ethnic, but Some Are More Ethnic Than Others: Some Observations on Dance Studies and Anthropology’, Dance Research: The Journal of the Society for Dance Research, 17(1), pp. 3–21.

Buckland, T. (2001) ‘Dance, Authenticity and Cultural Memory: The Politics of Embodiment’, Yearbook for Traditional Music, 33, pp. 1–16.

Buckland, T. (2006) ‘Being Traditional: Authentic Selves and Others in Researching LateTwentieth-Century Northwest English Morris Dancing’, in Buckland, T. (ed.) Dancing from Past to Present: Nation, Culture, Identities. Madison, Wis: University of Wisconsin Press, pp. 199–227.

Buckland, T. J. (1999) ‘[Re]Constructing Meanings: the Dance Ethnographer as Keeper of the Truth’, in Buckland, T. J. (ed.) Dance in the Field. Theory, Methods and Issues in Dance Ethnography. Basingstoke: Palgrave Macmillan Ltd, pp. 196–197.

Bullington, J. (2013) ‘The Lived Body’, in The Expression of the Psychosomatic Body from a Phenomenological Perspective. Springer Netherlands (SpringerBriefs in Philosophy), pp. 19–37. Available at: http://dx.doi.org/10.1007/978-94-007-6498-9_2.

Buonaventura, W. (2010) Serpent of the Nile: Women and Dance in the Arab World. 2nd Revised edition. London: Saqi Books.

Burkitt, I. (1999) Bodies of thought: embodiment, identity and modernity. London: SAGE.

Burkitt, I. (2014) Emotions and Social Relations. Los Angeles, California: Sage Publications Ltd.

Butterworth, J. (2012) Dance Studies – The Basics. London and New York: Routledge.

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Cairo Mirage Official (2014) Sahar Samara in popular egyptian cinema 2014. Available at: https://www.youtube.com/watch?v=ba7nZ8P0SqI (Accessed: 21 December 2016).

Cairoscene Team (2015) Top 10 Egyptian Belly Dancers, Cairo Scene. Available at: http://www.cairoscene.com/LifeStyle/Top-Belly-Dancers-in-Egypt (Accessed: 2 July 2016).

Çakir, A. (1991) ‘The Importance of the Protection of Traditional Dances’, Studia Musicologica Academiae Scientiarum Hungaricae, 33(1/4), pp. 295–299.

Cambridge Dictionaries Online – British English definition of “intangible” (2014). Available at: http://dictionary.cambridge.org/dictionary/british/intangible?q=intangible.

Cameron, C. and Inaba, N. (2015) ‘The Making of the Nara Document on Authenticity’, APT Bulletin, 46(4), pp. 30–37.

Cang, V. G. (2007) ‘Defining Intangible Cultural Heritage and its Stakeholders: the Case of Japan’, International Journal of Intangible Heritage, 2(4).

Cater, J. (2011) ‘SKYPE – A Cost-effective Method for Qualitative Research’, Rehabilitation Counselors & Educators Journal, 4(2), p. 3.

Cerice Janan (2006) Princess Raja – 1904. Available at: https://www.youtube.com/watch?v=42Tj7k9Egig (Accessed: 25 February 2016).

Chamas, L. Z. (2009) Jalilah writes about Badia Masabny for the Gilded Serpent. Available at: http://www.gildedserpent.com/art47/jalilahbadia.html (Accessed: 24 February 2016).

Cifuentes, H. (1994) Tahia Carioca and Samia Gamal – Reflections from the Stars of the Forties, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-13-no-3-summer1994/tahia-carioca-and-samia-gamal/ (Accessed: 17 March 2016).

Cifuentes, H. (1999) Tahia Talks, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-17-no-4-dec-1999/tahia-talks/ (Accessed: 18 March 2016).

Clara (2012) ‘ASC Theatre Camps: Dab, Slash, Flick: Laban Movement with Patrick Earl’. Available at: http://asc-theatre-camps.blogspot.com/2012/07/dab-slash-flick-labanmovement-with.html (Accessed: 30 August 2016).

Clark, T. (2010) ‘On “being researched”: why do people engage with qualitative research?’, Qualitative Research, 10(4), pp. 399–419. doi: 10.1177/1468794110366796.

CNN (2016) Belly dancer aims to revive lost art, CNN. Available at: http://www.cnn.com/2016/01/29/world/gallery/egypt-belly-dancer/index.html (Accessed: 3 July 2016).

Cohen Bull, C. J. (2003) ‘Sense, Meaning, and Perception in Three Dance Cultures’, in Desmond, J. C. (ed.) Meaning in Motion. New Cultural Studies of Dance. III. Duke University Press, pp. 269–287.

Cohen, L., Manion, L. and Morrison, K. (2007) Research methods in education. 6th ed. London ; New York: Routledge.

Collins English Dictionary (no date) Stakeholder definition and meaning, Collins English Dictionary. Available at: https://www.collinsdictionary.com/dictionary/english/stakeholder (Accessed: 6 May 2017).

Collins English Dictionary – intangible (2014). Available at: http://www.collinsdictionary.com/dictionary/english/intangible.

Cooper, S. (2013) ‘Quintessentially English belly dance. In search of an English tradition.’, in McDonald, C., Sellers-Young, B., and Sellers-Young, B. (eds) Belly dance around the world: new communities, performance and identity. McFarland & Co Inc, pp. 152–167.

Cooper, S. (2015) Walk Like an Egyptian: Belly Dance past and present practice in England. Available at: https://pearl.plymouth.ac.uk/handle/10026.1/3361 (Accessed: 13 October 2017).

Csordas, T. J. (1990) ‘Embodiment as a Paradigm for Anthropology’, Ethos, 18(1), pp. 5– 47.

Csordas, T. J. (1993) ‘Somatic Modes of Attention’, Cultural Anthropology, 8(2), pp. 135– 156.

Curteman, N. (2016) ‘Haight-Ashbury: San Francisco’s Hippie Village’, Global Mysteries, 26 November. Available at: https://nancycurteman.wordpress.com/2016/11/26/haightashbury-san-franciscos-hippie-village/ (Accessed: 27 April 2017).

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Dahlena Myrick Pearce (2013) Dahlena Early 60’s New Orleans Movie (Baby Dancer). Available at: https://www.youtube.com/watch?v=-q-xt2GvNUs (Accessed: 10 June 2016).

Daly, A. (1991) ‘Unlimited Partnership: Dance and Feminist Analysis’, Dance Research Journal, 23(1), pp. 2–5.

Daly, A. et al. (1992) ‘What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, 384 Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster’, TDR (1988-), 36(1), p. 48. doi: 10.2307/1146179.

Damasio, A. (2012) Self comes to mind. London: Vintage.

Dance for Unity (2013) Egyptian Legend and Master Belly Dance Teacher Fifi Abdou Preforms as the BDC Gala dinner. Available at: https://www.youtube.com/watch?v=SOkPNGwiclM (Accessed: 30 March 2016).

Daniel, Y. P. (1991) ‘Changing values in Cuban rumba, A Lower Class Black Dance Appropriated by the Cuban Revolution’, Dance Research Journal, 23(2), pp. 1–10.

Daniel, Y. P. (1996) ‘Tourism Dance Perfomances Authenticity and Creativity’, Annals of Tourism Research, 23(4), pp. 780–797.
Daniella Cairo (2014a) Camelia shaabi / nile group 2014 nov. Available at: https://www.youtube.com/watch?v=4THMZ9b_qbM (Accessed: 11 April 2016).

Daniella Cairo (2014b) SAHAR bellydance. Available at: https://www.youtube.com/watch?v=JWlbG3n7kfQ (Accessed: 21 December 2016).

Danielson, V. L. (1994) Shaping Tradition in Arabic Song: The Career and Repertory of Umm Kulthum. University Microfilms.

David, A. R. (2012) ‘Embodied Migration: Performance Practices of Diasporic Sri Lankan Tamil Communities in London’, Journal of Intercultural Studies, 33(4), pp. 375–394.

Deacon, H. and Smeets, R. (2013) ‘Authenticity, Value and Community Involvement in Heritage Management under the World Heritage and Intangible Heritage Conventions’, Heritage & Society, 6(2), pp. 129–143. doi: 10.1179/2159032X13Z.0000000009.

Deagon, A. (no date) Feminism and Belly Dance, University of North Carolina Wilmington. Available at: http://people.uncw.edu/deagona/raqs/feminism.htm (Accessed: 5 June 2016).

Deakin, H. and Wakefield, K. (2013) ‘SKYPE interviewing: reflections of two PhD researchers’, Qualitative Research, p. 1468794113488126. doi: 10.1177/1468794113488126.

Desmond, J. (1991) ‘Dancing out the Difference: Cultural Imperialism and Ruth St. Denis’s “Radha” of 1906’, Chicago Journals, 17(1), pp. 28–49.

Desmond, J. (1997) Meaning in Motion: New Cultural Studies of Dance (PostContemporary Interventions). Durham, North Carolina: Duke University Press.

Desmond, J. C. (1993) ‘Embodying Difference: Issues in Dance and Cultural Studies’, Cultural Critique, (26), p. 33. doi: 10.2307/1354455.

Desmond, J. C. (2003) ‘Embodying difference: issues in dance and cultural studies’, in Desmond, J. C. (ed.) Meaning in Motion. New Cultural Studies of Dance. III. Duke University Press, pp. 29–54.
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Dickey, M. (2004) ‘The impact of web-logs (blogs) on student perceptions of isolation and alienation in a web-based distance-learning environment’, Open Learning: The Journal of Open and Distance Learning, 19(3), pp. 279–291. doi: 10.1080/0268051042000280138.

Dougherty, R. L. (2005) ‘Dance and the Dancer in Egyptian Film’, in Shay, A. and SellersYoung, B. (eds) Belly Dance: Orientalism, Transnationalism, And Harem Fantasy. Costa Mesa, California: Mazda Publishers Inc. (Bibliotheca Iranica. Performing Arts Series., 6), pp. 145–171.

Downey, D. et al. (2010) ‘Body image in belly dance: integrating alternative norms into collective identity’, Journal of Gender Studies, 19(4), pp. 377–393. doi: 10.1080/09589236.2010.514209.

Dox, D. (2006) ‘Dancing around Orientalism’, TDR, 50(4), pp. 52–71.
Dubinina, O. (2011) Randa Kamel ‘Interview after course, May 2011’. Available at: https://www.youtube.com/watch?v=8ODgj67jEd4 (Accessed: 8 April 2016).

duniaoriental (2007) Ibrahim Akef. Available at: https://www.youtube.com/watch?v=vJ_S3bxbkAk (Accessed: 25 February 2016).

Dunin, E. (2014) ‘Emergence of ethnochoreology internationally: The Jankovic sisters, Maud Karpeles, and Gertrude Kurath’, Muzikologija, (17), pp. 197–217. doi: 10.2298/MUZ1417197D.

Dunin, E. I. (2006) ‘Romani Dance Event in Skopje, Macedonia: Research Strategies, Cultural Identities, and Technologies’, in Buckland, T. (ed.)

Dancing from Past to Present: Nation, Culture, Identities. Madison, Wis: University of Wisconsin Press, pp. 175–198.

Duran, M. (2010) Galit Mersand Teaches The Shisha Dance, Gilded Serpent. Available at: http://www.gildedserpent.com/cms/2010/01/13/marthareviewsgalitshishadvd/ (Accessed: 20 December 2016).

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Early, E. A. (1992) Baladi Women of Cairo: Playing with an Egg and a Stone. Boulder: Lynne Rienner Publishers.

Edensor, T. (2001) ‘Performing tourism, staging tourism: (Re)producing tourist space and practice’, Tourist Studies, 1(1), pp. 59–81. doi: 10.1177/146879760100100104.

Edison, T. A. and Hendricks, G. (1895) Princess Ali, Library of Congress, Washington, D.C. 20540 USA. Available at: https://www.loc.gov/item/00694136/ (Accessed: 11 May 2016).

Egyptian Streets (2015) ‘Two Egyptian Belly-dancers Sentenced to Prison Over “Debauchery”’, Egyptian Streets, 3 September. Available at: http://egyptianstreets.com/2015/09/03/two-egyptian-belly-dancers-sentenced-toprison-over-debauchery-in-music-videos/ (Accessed: 3 July 2016).

El Nouran Company (2005) Oriental Dance Festival 2005 – Technique Vol. VIII for Raqia Hassan.
386

El Safy, S. (1993a) Cairo Unveiled, The Best of Habibi. Available at: http://thebestofhabibi.com/volume-12-number-1/%E2%80%9Ccairounveiled%E2%80%9D/ (Accessed: 31 March 2016).

El Safy, S. (1993b) Dina, The Best of Habibi. Available at: http://thebestofhabibi.com/2vol-12-no-2-spring-1993/dina/ (Accessed: 3 April 2016).

El Safy, S. (1994) Jamila Salimpour, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-13-no-4-fall-1994/jamila-salimpour/ (Accessed: 5 June 2016).

El Safy, S. (1995) Interview with Raqia Hassan: The Mother of Invention, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-14-no-1-winter-1995/raqia-hassan/ (Accessed: 8 April 2016).

El Safy, S. (1996) Mona El Said, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-15-no-1-winter-1996/mona-el-said/ (Accessed: 29 March 2016).

El Safy, S. (2001) Nagwa Fouad, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-18-no-3-march-2001/nagwa-fouad/ (Accessed: 21 March 2016).

El Safy, S. (no date a) Home Page, Shareen El Safy’s official website. The Spirit of Egyptian Dance, Belly Dance. Available at: http://www.shareenelsafy.com/ (Accessed: 7 July 2016).

El Safy, S. (no date b) Randa’s Revolution, The Best of Habibi. Available at: http://thebestofhabibi.com/blog-2/ (Accessed: 6 April 2016).

El Safy, S. and Murjan, M. S. M. (1997) Bert Balladine, The Best of Habibi. Available at: http://thebestofhabibi.com/vol-16-no-1-winter-1997/bert-balladine/ (Accessed: 5 June 2016).

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Valeria

Hi – I’m Dr Valeria Lo Iacono and I am a dance researcher with a PhD in dance as a form of living heritage. I also teach belly dance and love to travel to discover new dances around the world. I have worked also as an academic and in the UK and in Korea. Thank you for visiting my site.

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